Legendary album available on a vinyl now.
Also as a special limited yellow edition.
Legendary album available on a vinyl now.
Also as a special limited yellow edition.
Legendary album available on a vinyl now.
Also as a special limited yellow edition.
And streaming on Spotify, Apple Music and YouTube.
And streaming on Spotify, Apple Music and YouTube.
And streaming on Spotify, Apple Music and YouTube.
LP
Sing!
LP
LP
Sing!
If you can't find suitable payment or shipping option, please get in touch and we'll figure it out.
tarvo
rahumägi
tarvo rahumägi
tarvo
rahumägi
el voice
guitarre
tambourine
el voice, guitarre, tambourine
el voice
guitarre
tambourine
tarvo
tiivits
tarvo tiivits
tarvo
tiivits
lead basso
lead basso
lead basso
meelis
kasepalu
meelis kasepalu
meelis
kasepalu
beats
beats
beats
romet
pott
romet pott
romet
pott
lead guitarre
remo-potato
bell of cow
lead guitarre, remo-potato, bell of cow
lead guitarre
remo-potato
bell of cow
Super Slinky never set out to be a band. Not exactly. It started with a photo—four slightly suspicious-looking friends caught mid-prank, posing like rockstars before anyone had picked up an instrument. From that moment, the idea caught on. If you’re already halfway to being a band, why not finish the job?
Super Slinky never set out to be a band. Not exactly. It started with a photo—four slightly suspicious-looking friends caught mid-prank, posing like rockstars before anyone had picked up an instrument. From that moment, the idea caught on. If you’re already halfway to being a band, why not finish the job?
Super Slinky never set out to be a band. Not exactly. It started with a photo—four slightly suspicious-looking friends caught mid-prank, posing like rockstars before anyone had picked up an instrument. From that moment, the idea caught on. If you’re already halfway to being a band, why not finish the job?
What followed was an unexpected streak of raw, sweaty, funk-driven energy. Super Slinky didn’t do rehearsals so much as controlled chaos. Their sound—tight, sharp, heavy on the groove—hit crowds like a left hook with a grin. People danced. Some shouted. Others just stood still, unsure if it was serious. It wasn’t. And that was the point.
What followed was an unexpected streak of raw, sweaty, funk-driven energy. Super Slinky didn’t do rehearsals so much as controlled chaos. Their sound—tight, sharp, heavy on the groove—hit crowds like a left hook with a grin. People danced. Some shouted. Others just stood still, unsure if it was serious. It wasn’t. And that was the point.
What followed was an unexpected streak of raw, sweaty, funk-driven energy. Super Slinky didn’t do rehearsals so much as controlled chaos. Their sound—tight, sharp, heavy on the groove—hit crowds like a left hook with a grin. People danced. Some shouted. Others just stood still, unsure if it was serious. It wasn’t. And that was the point.
Frontman Tarvo Rahumägi wrote lyrics like strange postcards from a world slightly off its axis. Guitarist Romet Pott handled the technical wizardry and the mischief. Bassist Tarvo Tiivits kept the low-end locked and deep, while Meelis Kasepalu on drums refused to settle for anything polite. They weren’t polished. They were just very good at being themselves.
Frontman Tarvo Rahumägi wrote lyrics like strange postcards from a world slightly off its axis. Guitarist Romet Pott handled the technical wizardry and the mischief. Bassist Tarvo Tiivits kept the low-end locked and deep, while Meelis Kasepalu on drums refused to settle for anything polite. They weren’t polished. They were just very good at being themselves.
Frontman Tarvo Rahumägi wrote lyrics like strange postcards from a world slightly off its axis. Guitarist Romet Pott handled the technical wizardry and the mischief. Bassist Tarvo Tiivits kept the low-end locked and deep, while Meelis Kasepalu on drums refused to settle for anything polite. They weren’t polished. They were just very good at being themselves.
When Get There dropped in 2000, it wasn’t trying to be an album of the year. It just happened to be one. Word spread fast—helped by the track Little Secret, which wormed its way onto radios, into clubs, and even, somehow, into supermarkets. People didn’t always know who the band was. But they knew the sound.
When Get There dropped in 2000, it wasn’t trying to be an album of the year. It just happened to be one. Word spread fast—helped by the track Little Secret, which wormed its way onto radios, into clubs, and even, somehow, into supermarkets. People didn’t always know who the band was. But they knew the sound.
When Get There dropped in 2000, it wasn’t trying to be an album of the year. It just happened to be one. Word spread fast—helped by the track Little Secret, which wormed its way onto radios, into clubs, and even, somehow, into supermarkets. People didn’t always know who the band was. But they knew the sound.
Live shows were something else. Loud, unpredictable, often hilarious. Super Slinky built a cult following not by selling an image, but by showing up and throwing everything they had into the set. No smoke machines, no big talk. Just four guys playing their hearts out and letting the audience figure it out as they went.
Live shows were something else. Loud, unpredictable, often hilarious. Super Slinky built a cult following not by selling an image, but by showing up and throwing everything they had into the set. No smoke machines, no big talk. Just four guys playing their hearts out and letting the audience figure it out as they went.
Live shows were something else. Loud, unpredictable, often hilarious. Super Slinky built a cult following not by selling an image, but by showing up and throwing everything they had into the set. No smoke machines, no big talk. Just four guys playing their hearts out and letting the audience figure it out as they went.
The band didn’t last forever. Most don’t. But the music did. And now, 25 years on, Get There is back—on vinyl, properly remastered, and still sounding like it just walked out of a basement gig that left the walls dripping. It’s not nostalgia. It’s a reminder.
The band didn’t last forever. Most don’t. But the music did. And now, 25 years on, Get There is back—on vinyl, properly remastered, and still sounding like it just walked out of a basement gig that left the walls dripping. It’s not nostalgia. It’s a reminder.
The band didn’t last forever. Most don’t. But the music did. And now, 25 years on, Get There is back—on vinyl, properly remastered, and still sounding like it just walked out of a basement gig that left the walls dripping. It’s not nostalgia. It’s a reminder.
Super Slinky never chased fame. They just made music because they had to. And that, oddly enough, is probably why it worked.
Super Slinky never chased fame. They just made music because they had to. And that, oddly enough, is probably why it worked.
Super Slinky never chased fame. They just made music because they had to. And that, oddly enough, is probably why it worked.
— AI & Endel Meri
— AI & Endel Meri
— AI & Endel Meri
All music, believe it or not, by Super Slinky.
Track 1 taken from Super Slinky’s next album. All lyrics by Tarvo Rahumägi; “Fabled Birdy” based on the fable “The Song Thrush” by Ivan Krolov, who pinched the idea from some famous philosopher. Produced by Super Slinky.
Recorded at Orbital Vox Studios.
Tracks 8, 9, 10 and 11 engineered & mixed by Uku Toomet in Spring ‘97; tracks 3, 5 and 6 engineered & mixed by Alo Jaanivald and Romet Pott in mid ’99; tracks 1, 2, 4, 7, 12 and 13 engineered & mixed by Romet Pott in Spring ‘00, assisted by Tanel Roovik. Mastered by Romet Pott and Tanel Roovik at Orbital Vox Studios. Re-mastered in 2025 by Romet Pott.
Design Priidu Zilmer, photos Jarek Jõepera.
Thanks go out to Priidu Zilmer, Pekka, Endel Meri (no relation to Lennart), Phillip Marsdale, Erki Peinar, Marko Rudi, Henno Kelp, Erik Morna, Priit Valkna, Triinu Triipmann.
© 2025 Brain Duster Music. All rights reserved. Contact, booking and fan mail — info@superslinky.ee
© 2025 Brain Duster Music. All rights reserved. Contact, booking and fan mail — info@superslinky.ee